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	<title>Central Maryland Photographers&#039; Guild &#187; Technique</title>
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	<link>http://www.cmpg.org/site</link>
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	<lastBuildDate>Mon, 30 Jan 2012 08:57:44 +0000</lastBuildDate>
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		<item>
		<title>thorns</title>
		<link>http://www.cmpg.org/site/2012/01/19/thorns/</link>
		<comments>http://www.cmpg.org/site/2012/01/19/thorns/#comments</comments>
		<pubDate>Thu, 19 Jan 2012 12:58:42 +0000</pubDate>
		<dc:creator>Louise</dc:creator>
				<category><![CDATA[Technique]]></category>

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		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p id="top" />
<a href="http://www.cmpg.org/site/wp-content/gallery/week-3-photographic-zen/thorns.jpg?uamfiletype=nggImage" title="" class="shutterset_singlepic7257" >
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		<item>
		<title>CMPG Flickr Gallery</title>
		<link>http://www.cmpg.org/site/2012/01/02/cmpg-flickr-gallery/</link>
		<comments>http://www.cmpg.org/site/2012/01/02/cmpg-flickr-gallery/#comments</comments>
		<pubDate>Mon, 02 Jan 2012 18:29:22 +0000</pubDate>
		<dc:creator>Doug Miller</dc:creator>
				<category><![CDATA[Technique]]></category>

		<guid isPermaLink="false">http://www.cmpg.org/site/?p=1552</guid>
		<description><![CDATA[New for 2012 is a Plug-in that displays images on the CMPG Flickr site. &#160;]]></description>
			<content:encoded><![CDATA[<p id="top" />New for 2012 is a Plug-in that displays images on the CMPG Flickr site.</p>
<p>&nbsp;</p>
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In the Arboretum  HDR'/></a></div><div class='afg-cell' style='width:50%;'><a class='afgcolorbox' rel='example41'  href='http://farm3.staticflickr.com/2397/5714839030_5fcbdf7edd_b.jpg' title='Lindy Point'><img class='afg-img' src='http://farm3.static.flickr.com/2397/5714839030_5fcbdf7edd_t.jpg' alt='Lindy Point'/></a></div></div><div class='afg-row'><div class='afg-cell' style='width:50%;'><a class='afgcolorbox' rel='example41'  href='http://farm6.staticflickr.com/5145/5611873770_9e81cff819_b.jpg' title='Kodak Duaflex'><img class='afg-img' src='http://farm6.static.flickr.com/5145/5611873770_9e81cff819_t.jpg' alt='Kodak Duaflex'/></a></div><div class='afg-cell' style='width:50%;'><a class='afgcolorbox' rel='example41'  href='http://farm6.staticflickr.com/5306/5559366389_5706a5e272_b.jpg' title='SIGNS OF SPRING 2'><img class='afg-img' src='http://farm6.static.flickr.com/5306/5559366389_5706a5e272_t.jpg' alt='SIGNS OF SPRING 2'/></a></div></div><a style='display:none' class='afgcolorbox' 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title='National Katyn Memorial'> <img alt='National Katyn Memorial' src='' width='75' height='75'></a> <a style='display:none' class='afgcolorbox' rel='example41'  href='http://farm5.staticflickr.com/4089/4969736702_772a3cc89e_b.jpg' title='Field-3_6495'> <img alt='Field-3_6495' src='' width='75' height='75'></a> <a style='display:none' class='afgcolorbox' rel='example41'  href='http://farm5.staticflickr.com/4126/4969730464_5e031706b6_b.jpg' title='Flower-1_6405'> <img alt='Flower-1_6405' src='' width='75' height='75'></a> <a style='display:none' class='afgcolorbox' rel='example41'  href='http://farm5.staticflickr.com/4112/4969123389_0f31315a5f_b.jpg' title='Butterfly_6475'> <img alt='Butterfly_6475' src='' width='75' height='75'></a> <a style='display:none' class='afgcolorbox' rel='example41'  href='http://farm5.staticflickr.com/4128/4978092612_d14db0c210_b.jpg' title='CMPG featured in Penn Camera's Gallery'> <img alt='CMPG featured in Penn Camera's Gallery' src='' width='75' 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143:365' src='' width='75' height='75'></a> <a style='display:none' class='afgcolorbox' rel='example41'  href='http://farm5.staticflickr.com/4006/4626017500_e5a3b9d60b_b.jpg' title='Live in Concert'> <img alt='Live in Concert' src='' width='75' height='75'></a> <a style='display:none' class='afgcolorbox' rel='example41'  href='http://farm5.staticflickr.com/4015/4488496400_12fe74bd46_b.jpg' title='Jefferson Monument Washington DC    - 093:365'> <img alt='Jefferson Monument Washington DC    - 093:365' src='' width='75' height='75'></a> <a style='display:none' class='afgcolorbox' rel='example41'  href='http://farm3.staticflickr.com/2567/4216957274_4edeb545e0_b.jpg' title='EAO_WDR2009_00044'> <img alt='EAO_WDR2009_00044' src='' width='75' height='75'></a> <a style='display:none' class='afgcolorbox' rel='example41'  href='http://farm3.staticflickr.com/2560/4205377738_8c45a523b5_b.jpg' title='Snowbound Northern Cardinal'> <img alt='Snowbound Northern Cardinal' src='' width='75' 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employment'> <img alt='Mr. Guerilla  reflects on his current employment' src='' width='75' height='75'></a> <a style='display:none' class='afgcolorbox' rel='example41'  href='http://farm3.staticflickr.com/2562/4448776290_d97b8afc0a_b.jpg' title='79.365 You look like a good lunch'> <img alt='79.365 You look like a good lunch' src='' width='75' height='75'></a> <a style='display:none' class='afgcolorbox' rel='example41'  href='http://farm5.staticflickr.com/4015/4404746867_39e7de266e_b.jpg' title='Central Park 122'> <img alt='Central Park 122' src='' width='75' height='75'></a> <a style='display:none' class='afgcolorbox' rel='example41'  href='http://farm3.static.flickr.com/2761/4405542510_e122c96b18_z.jpg' title='DSC_1413'> <img alt='DSC_1413' src='' width='75' height='75'></a> <a style='display:none' class='afgcolorbox' rel='example41'  href='http://farm3.static.flickr.com/2652/4052027525_1e83bd4cb2_z.jpg' title='Pileated'> <img alt='Pileated' src='' width='75' height='75'></a> <a style='display:none' class='afgcolorbox' rel='example41'  href='http://farm3.static.flickr.com/2478/4052027441_3f037e791d_z.jpg' title='Monarch'> <img alt='Monarch' src='' width='75' height='75'></a> <a style='display:none' class='afgcolorbox' rel='example41'  href='http://farm3.static.flickr.com/2522/4052027357_4effc29c47_z.jpg' title='Hopper'> <img alt='Hopper' src='' width='75' height='75'></a> <a style='display:none' class='afgcolorbox' rel='example41'  href='http://farm3.static.flickr.com/2480/4052027277_256201def5_z.jpg' title='White Great Egret'> <img alt='White Great Egret' src='' width='75' height='75'></a> <a style='display:none' class='afgcolorbox' rel='example41'  href='http://farm4.staticflickr.com/3485/3967729792_8ff3de6d89_b.jpg' title='Days of Thunder, Seconds of Disappointment'> <img alt='Days of Thunder, Seconds of Disappointment' src='' width='75' height='75'></a> </div><div class='afg-pagination'><br /><br /><font class='afg-page'>&nbsp;&#171; prev&nbsp;</font>&nbsp;&nbsp;&nbsp;&nbsp;<font class='afg-cur-page'> 1 </font>&nbsp;<a class='afg-page' href='http://www.cmpg.org/site/topics/technique/feed/?afg1_page_id=2' title='Page 2'>&nbsp;2 </a>&nbsp;<a class='afg-page' href='http://www.cmpg.org/site/topics/technique/feed/?afg1_page_id=3' title='Page 3'>&nbsp;3 </a>&nbsp;<a class='afg-page' href='http://www.cmpg.org/site/topics/technique/feed/?afg1_page_id=4' title='Page 4'>&nbsp;4 </a>&nbsp;<a class='afg-page' href='http://www.cmpg.org/site/topics/technique/feed/?afg1_page_id=5' title='Page 5'>&nbsp;5 </a>&nbsp;<a class='afg-page' href='http://www.cmpg.org/site/topics/technique/feed/?afg1_page_id=6' title='Page 6'>&nbsp;6 </a>&nbsp;<a class='afg-page' href='http://www.cmpg.org/site/topics/technique/feed/?afg1_page_id=7' title='Page 7'>&nbsp;7 </a>&nbsp;&nbsp;&nbsp;&nbsp;<a class='afg-page' href='http://www.cmpg.org/site/topics/technique/feed/?afg1_page_id=2' title='Next Page'> next &#187; </a>&nbsp;<br />(61 Photos)</div></div><!-- Awesome Flickr Gallery End -->
]]></content:encoded>
			<wfw:commentRss>http://www.cmpg.org/site/2012/01/02/cmpg-flickr-gallery/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>0792038-editdoordarkened</title>
		<link>http://www.cmpg.org/site/2011/12/21/0792038-editdoordarkened/</link>
		<comments>http://www.cmpg.org/site/2011/12/21/0792038-editdoordarkened/#comments</comments>
		<pubDate>Wed, 21 Dec 2011 21:38:37 +0000</pubDate>
		<dc:creator>Lewis Lorton</dc:creator>
				<category><![CDATA[Technique]]></category>

		<guid isPermaLink="false">http://www.cmpg.org/site/2011/12/21/0792038-editdoordarkened/</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p id="top" />[SinglePic not found]</p>
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		<title>In-Camera Metering  from NYIP</title>
		<link>http://www.cmpg.org/site/2011/10/28/in-camera-metering-from-nyip/</link>
		<comments>http://www.cmpg.org/site/2011/10/28/in-camera-metering-from-nyip/#comments</comments>
		<pubDate>Fri, 28 Oct 2011 10:59:00 +0000</pubDate>
		<dc:creator>Doug Miller</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Technique]]></category>

		<guid isPermaLink="false">http://www.cmpg.org/site/?p=1433</guid>
		<description><![CDATA[We&#8217;ve had a lot of questions from students about using their camera&#8217;s built-in light meter. Here&#8217;s an overview which we hope will give you a basic understanding of the subject. We&#8217;re going to cover three aspects of in-camera metering; a General Overview, Metering Modes, and some Tricks and Tips to Use of Your Camera&#8217;s Light [...]]]></description>
			<content:encoded><![CDATA[<p id="top" />We&#8217;ve had a lot of questions from students about using their camera&#8217;s built-in light meter. Here&#8217;s an overview which we hope will give you a basic understanding of the subject. We&#8217;re going to cover three aspects of in-camera metering; a General Overview, Metering Modes, and some Tricks and Tips to Use of Your Camera&#8217;s Light Meter more effectively.</p>
<div>
Read more at <a href="http://www.nyip.com/ezine/techtips/in-camera_metering.html#ixzz1c4aO5pQD">New York Institute of Photography &#8211; In-Camera Metering</a> <a href="http://www.nyip.com/ezine/techtips/in-camera_metering.html#ixzz1c4aO5pQD">http://www.nyip.com/ezine/techtips/in-camera_metering.html#ixzz1c4aO5pQD</a></div>
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		<title>How To Add Sunlight To Your Overcast Photographs</title>
		<link>http://www.cmpg.org/site/2011/09/27/how-to-add-sunlight-to-your-overcast-photographs/</link>
		<comments>http://www.cmpg.org/site/2011/09/27/how-to-add-sunlight-to-your-overcast-photographs/#comments</comments>
		<pubDate>Tue, 27 Sep 2011 08:33:58 +0000</pubDate>
		<dc:creator>Doug Miller</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Technique]]></category>

		<guid isPermaLink="false">http://www.cmpg.org/site/?p=1345</guid>
		<description><![CDATA[Tips from fstoppers.com I’m sure many of you have heard the saying “overcast skies make for amazing photos”. While it’s true that soft overcast light is usually more flattering on people’s faces, it can also make your photos super boring and even gloomy. So what can you do with your bag of tricks to spice [...]]]></description>
			<content:encoded><![CDATA[<p id="top" />Tips from fstoppers.com</p>
<p>I’m sure many of you have heard the saying “overcast skies make for amazing photos”. While it’s true that soft overcast light is usually more flattering on people’s faces, it can also make your photos super boring and even gloomy. So what can you do with your bag of tricks to spice up a photo session during cold, rainy, or overcast days? <a href="http://www.lovegroveconsulting.com/home.aspx">Damien Lovegrove</a>explains how you can use a “dingle” (or more commonly a Cookie) to bring some pseudo-sunlight into your portraits . This clip is from <a href="http://www.lovegroveconsulting.com/speedlight_mastery_downloads.aspx">Damien’s Speedlight Mastery DVD</a> and he does a great job explaining this super useful technique that can be applied to many of your own shoots at almost zero cost. Next time you see those interesting shadow patterns while thumping through your girlfriend’s fashion magazines you can imagine the dingle that created them!</p>
<p>http://fstoppers.com/how-to-add-sunlight-to-your-overcast-photographs</p>
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		<title>patterns</title>
		<link>http://www.cmpg.org/site/2011/07/22/patterns/</link>
		<comments>http://www.cmpg.org/site/2011/07/22/patterns/#comments</comments>
		<pubDate>Fri, 22 Jul 2011 14:09:32 +0000</pubDate>
		<dc:creator>Warren von Uffel</dc:creator>
				<category><![CDATA[Technique]]></category>

		<guid isPermaLink="false">http://www.cmpg.org/site/2011/07/22/patterns/</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p id="top" />[SinglePic not found]</p>
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		<title>touch-down</title>
		<link>http://www.cmpg.org/site/2011/06/12/touch-down/</link>
		<comments>http://www.cmpg.org/site/2011/06/12/touch-down/#comments</comments>
		<pubDate>Sun, 12 Jun 2011 13:37:39 +0000</pubDate>
		<dc:creator>Warren von Uffel</dc:creator>
				<category><![CDATA[Technique]]></category>

		<guid isPermaLink="false">http://www.cmpg.org/site/2011/06/12/touch-down/</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p id="top" />
<a href="http://www.cmpg.org/site/wp-content/gallery/warren-von-uffel/touch-down.jpg?uamfiletype=nggImage" title="" class="shutterset_singlepic6152" >
	<img class="ngg-singlepic" src="http://www.cmpg.org/site/wp-content/gallery/cache/6152__120x120_touch-down.jpg" alt="touch-down" title="touch-down" />
</a>
</p>
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		<title>Close-up Photography Assignment &#8211; Stephen Talabac</title>
		<link>http://www.cmpg.org/site/2011/06/02/close-up-photography-assignment-stephen-talabac/</link>
		<comments>http://www.cmpg.org/site/2011/06/02/close-up-photography-assignment-stephen-talabac/#comments</comments>
		<pubDate>Fri, 03 Jun 2011 00:37:26 +0000</pubDate>
		<dc:creator>Doug Miller</dc:creator>
				<category><![CDATA[Technique]]></category>

		<guid isPermaLink="false">http://www.cmpg.org/site/?p=1221</guid>
		<description><![CDATA[Sorry you have no rights to view this post!]]></description>
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		<title>already-taken</title>
		<link>http://www.cmpg.org/site/2011/05/08/already-taken/</link>
		<comments>http://www.cmpg.org/site/2011/05/08/already-taken/#comments</comments>
		<pubDate>Mon, 09 May 2011 02:31:50 +0000</pubDate>
		<dc:creator>Doug Miller</dc:creator>
				<category><![CDATA[Technique]]></category>

		<guid isPermaLink="false">http://www.cmpg.org/site/2011/05/08/already-taken/</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p id="top" />[SinglePic not found]</p>
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		<title>Flower Shots that Flourish in the Rain   Courtesy of Penn Camera &amp; Olympus</title>
		<link>http://www.cmpg.org/site/2011/04/23/flower-shots-that-flourish-in-the-rain-courtesy-of-penn-camera-olympus/</link>
		<comments>http://www.cmpg.org/site/2011/04/23/flower-shots-that-flourish-in-the-rain-courtesy-of-penn-camera-olympus/#comments</comments>
		<pubDate>Sat, 23 Apr 2011 13:10:09 +0000</pubDate>
		<dc:creator>Doug Miller</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Technique]]></category>

		<guid isPermaLink="false">http://www.cmpg.org/site/?p=1165</guid>
		<description><![CDATA[Flower Shots that Flourish in the Rain Not many people want to trudge outside on a cloud filled, rainy day. Having to carry an umbrella or worrying about getting your camera wet is usually what deters photographers from getting out and shooting. However, there is a beautiful subject that can only be encountered on rainy [...]]]></description>
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<div style="display: inline !important;">Flower Shots that Flourish in the Rain</div>
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<p style="display: inline !important;"><span style="font-size: small;">Not many people want to trudge outside on a cloud filled, rainy day. Having to carry an umbrella or worrying about getting your camera wet is usually what deters photographers from getting out and shooting. However, there is a beautiful subject that can only be encountered on rainy days: water drops. The sparkling water drops on the delicate petals of a flower can create a picture-perfect shot every photographer wants to take. After learning how to obtain these kinds of photos with your E-System or PEN camera, you’ ll be waiting for the next storm to roll in.</span></p>
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<div>Use the aperture to control the depth of field</div>
<p>The aperture used changes the depth of field of the picture. Water drops are very small so it is impossible to capture the background reflected inside the drop when the area that is in focus is not wide enough (that is, when the depth of field is not deep enough).</p>
<p>On the other hand, if the background is also sharply in focus, the water drop itself will be lost so you may need to decide the optimal value while checking the resulting pictures. Also, keep in mind that using high aperture values also means slower shutter speeds, making blur more likely.</p>
<div>Make the subject look BIG</div>
<p>Focusing on the drop in front makes the background nicely out of focus. Water drops are very small and transparent. If you don&#8217;t make them appear bigger in the picture, they will get lost. Get as close to the subject as the lens you are using will allow. A macro lens is ideal as you can make small subjects appear even larger.</p>
<p>Getting close to the subject will also soften the focus on the background, making the water drops look even more brilliant. To amplify this effect, try composing your shot so that the subject is more isolated from the background. This will further blur the background and make the water drops stand out.</p>
<p>Try experimenting with different angles and distances and see what you can create!</p>
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<p>Try using Art Filters</p>
<p>Water drops are really beautiful as they are but if your camera supports them, try using art filters to enhance your shot.</p>
<p>Using [SOFT FOCUS], you can get a softer contrast and make the flowers appear more delicate.</p>
<p>With [PIN HOLE] you can darken the edges of the picture making the subject in the center more eye-catching.</p>
<p>You can use these filters to draw more attention to the water drops, even though they are so small.</p>
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<p>Focus on the flower within the water drop</p>
<p>If you only want to shoot the water drop itself you can simply focus on the drop&#8217;s surface. However, if you want to emphasize the image within the water drop, focus instead on the image within. In most cases the AF (auto focus) will focus on the drop&#8217;s surface so it may be a good idea to use MF (manual focus) instead. When it is difficult to verify the focus in the viewfinder, it may be convenient to use the enlarged display in live view.</p>
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<p>More Tips On Changing Depth of Field</p>
<p>•   Choose a low numbered aperture (large iris opening) for results with a shallow focus or shallow depth of field. Primarily only the subject that your camera lens is focused on will be in focus.</p>
<p>•   Choose a high numbered aperture (small iris opening) for results with deep focus or deep depth of field. Primarily the entire image area will be in focus.</p>
<p>•   Using shorter lenses or smaller focal length (ex. wide angle) lenses creates more depth of field.</p>
<p>•   Using longer lenses or longer focal length (ex. telephoto) lenses creates a shallow depth of field.</p>
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<p>http://tinyurl.com/43om3oq</p>
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